Carlo Coralli: dalle scene filodrammatiche alla Comédie-Italienne

Elena Zilotti

doi:10.13135/2036-5624/217

Authors

Elena Zilotti University of Verona https://orcid.org/0000-0002-7443-5096

Elena Zilotti was awarded a Ph.D in History of Arts in 2019 with a thesis on Theatrical practice and dramatic theories of Francesco Albergati Capacelli on the stages in the second half of Eighteenth century. Her research interests range from court theatre in the Renaissance, to specific spectacular issues in the Eighteenth century such as amateur dramatic societies, the relationship between amateurs and professionals, or between theatre and journalism; from actorial praxis in the Twentieth century to transmedia storytelling. She has already published some essays on the theatre of Francesco Albergati Capacelli in journals and volumes.

DOI:

https://doi.org/10.13135/2036-5624/217

Keywords:

Eighteenth century theatre, Actors history, Carlo Coralli, Comédie-Italienne

Abstract

This paper traces Carlo Coralli’s biographical and artistic path, from his training in the aristocratic circle of the “amateur” Francesco Albergati Capacelli to his recruitment in Paris at the Comédie-Italienne as a substitute for the famous Harlequin Carlo Bertinazzi. After a presentation of Coralli’s first acting experiences in Italy, the essay reconstructs his inclusion in the famous French troupe with his Parisian debut and presents some of his most significant shows.

Carlo Coralli: dalle scene filodrammatiche alla Comédie-Italienne

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