Carlo Quartucci, mago bambino: "Il lavoro teatrale" (1969) e l’incontro con Valeriano Gialli

Donatella Orecchia

doi:10.13135/2036-5624/221

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Donatella Orecchia University of Rome Tor Vergata https://orcid.org/0000-0003-1706-1849

Assistant professor in “History of Theatre” at the University of Rome “Tor Vergata”, Departement of History, Culture and Society. Her research interests mainly concern: Theory and history of actor and acting in XIX and XX Century; History of criticism of theatre in Europe; Oral history and theatre; History of variety theatre and its methodological problems. Autor of five monographic books (Il sapore della menzogna. Rossi e Salvini e un aspetto del dibattito sul naturalismo, 1995; Il critico e l’attore. Silvio d’Amico e la scena italiana di inizio Novecento, 2 ed., 2012; Claudio Morganti, 2005; La prima Duse, 2008; La sala Umberto e “L’arte del Varieté”, 2012; with Livia Cavaglieri, Livia Cavaglieri, Memorie sotterranee. Storia e racconti della Borsa di Arlecchino e del Beat 72, 2017, Stravedere la scena. Carlo Quartucci. Il viaggio nei primi venti anni, in press), several essays on such journals as «Biblioteca teatrale», «Acting archives review», «Il castello di Elsinore», «Agalma», «Ariel», «Asino di B.», «Arabeschi». Participation, as paper presenter or organizer, to a large number of Italian and International conferences and workshops. Founder and director since 2011 with Livia Cavaglieri of the project ORMETE (Orality Memory Theatre,www.ormete.net) (special project of the Fus-Mibac in 2014). Founder and director of of the Web portal for the oral memory of theatre «Patrimoniorale», (www.patrimoniorale.ormete.net). She collaborates with the Italian Actors Multimedia Archive.

DOI:

https://doi.org/10.13135/2036-5624/221

Keywords:

Carlo Quartucci, Oral history, Italian New Theatre, Jannis Kounellis

Abstract

On December 31th 2019 Carlo Quartucci died. With him disappears one of the last protagonists of the Italian Research theater. To remind him, the article focuses on a single episode, The theatrical work of 1969, through the testimony of Valeriano Gialli who was one of the actors of that show. to which Carlo Quartucci was particularly fond of. For Quartucci The theatrical work was many things together: the second collaboration with Jannis Kounellis, the return to the Venice Biennale after Zip, the advance of something that will happen completely only with Camion, his first real appearance as a director-stage servant; but above all, a gesture of great freedom of research.

Carlo Quartucci, mago bambino

"Il lavoro teatrale" (1969) e l’incontro con Valeriano Gialli

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