Calaf and Nadir from Caspian Sea to India (1762-1867)

Anna Laura Bellina

doi:10.53235/2036-5624/47

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Anna Laura Bellina University of Padua https://orcid.org/0000-0001-8242-9676

Anna Laura Bellina has studied piano, organ and hapsichord in the Venetian Conservatory Benedetto Marcello. She has graduated at the Padua University with a dissertation on Strutture del libretto d'opera comica nella seconda metà del Settecento. She has been full professor of musicology in Padua University and she studies the Italian opera with a particular focus to Venetian “dramma per musica” in seventeenth and eighteenth century.

DOI:

https://doi.org/10.53235/2036-5624/47

Keywords:

Carlo Gozzi, Turandot, Schiller, Bazzini, Gazzoletti

Abstract

This article studies the adventures of Calaf and Nadir, leading actors of the «fiaba chinese teatrale tragicomica» by Carlo Gozzi (Turandot, Venice, San Samuele theatre, 22 january 1762) and of the Italian opera Turanda by Antonio Gazzoletti and Antonio Bazzini (Milan, Scala, 13 january 1867), with the German versions from Werthes (1777) to Schiller (Turandot, Prinzessin von China, ein tragikomisches Märchen nach Gozzi, 1802-1865).

Calaf and Nadir from Caspian Sea to India (1762-1867)

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