No. 67 (2013)

Essays

• Per Roberto Alonge

  Roberto Tessari

  7-9

  • PDF (Italiano)

• The power of the gaze and the gaze of the power

  Luigi Allegri

  13-19

  • PDF (Italiano)

• “Sogno d’un tramonto d’autunno”: decadence and fire

  Guido Baldi

  21-33

  • PDF (Italiano)

• Cost and free in Eduardo De Filippo’s plays: “Non ti pago”, “Filumena Marturano”, “L’arte della commedia”

  Anna Barsotti

  35-49

  • PDF (Italiano)

• Between the script and the performance: some notes about a new critical edition of Gozzi’s “Re cervo”

  Paolo Bosisio

  51-62

  • PDF (Italiano)

• Female types in Commedia dell’Arte

  Siro Ferrone

  63-71

  • PDF (Italiano)

• «Ce vieillard m’a maudit! – Quel vecchio maledivami!» Verdi and Piave for Hugo (with a translation sample)

  Fernando Gioviale

  73-89

  • PDF (Italiano)

• Re-reading Pirandello: “Il giuoco delle parti”

  Gigi Livio

  91-106

  • PDF (Italiano)

• The story of Judith from Bethulia to Florence

  Sara Mamone

  107-120

  • PDF (Italiano)

• Helene Raff and Henrik Ibsen

  Franco Perrelli

  121-140

  • PDF (Italiano)

• Five kinds mouse-traps Images, voice and imagination in the mises en abyme of the baroque theatre

  Roberto Tessari

  141-167

  • PDF (Italiano)