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  3. No. 88 (2023)

No. 88 (2023)

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Published: 2023-06-05

Essays

  • «A perfect union of excellent and honest actors»: the Pellandi-Blanes company (1812-1816)

    Stefania Onesti
    9-38
    • PDF (Italiano)
  • The impresario Giacomo Lwow and the Russian theatre in Italy

    Maria Pia Pagani
    39-48
    • PDF (Italiano)
  • Nietzsche and Artaud in comparison: the concept of amor fati and the figure of the “Overman” in the theatre of cruelty

    Simona Turturro
    49-58
    • PDF (Italiano)
  • Massimo Castri, a director-professor

    Roberto Alonge
    59-73
    • PDF (Italiano)
  • Get Lost in a Dream Franco Scaldati from an (im)possible entomological perspective in Pupa Regina. Opere di fango et ultra

    Mauro Petruzziello
    75-91
    • PDF (Italiano)
  • A Chronological Prospectus of Dramatic Works by Vitaliano Trevisan

    Stefano Fortin
    95-101
    • PDF (Italiano)

Performances

  • Acting school, final essay: Chekhov, impossible loves

    Roberto Alonge
    105-115
    • PDF (Italiano)
  • Fleshless and voiceless Antigone. Thebes at the time of yellow fever, by Odin Teatret A heroine as a pure image of beauty, eros and death

    Gisella Rotiroti
    117-122
    • PDF (Italiano)

Books

  • Un nuovo paradosso di Diderot

    Matilde Ghelardini
    125-130
    • PDF (Italiano)

Language

  • Italiano
  • English

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Il castello di Elsinore – ISSN 2036-5624

Published by Alma Diamond, Alma Mater Studiorum – Università di Bologna

Owned by Department of the Arts – DAR, Alma Mater Studiorum – Università di Bologna

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