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  3. No. 90 (2024)

No. 90 (2024)

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Published: 2024-06-06

Essays

  • Rewriting, Disguise and Blackface in Italian Comedy "La Mora" (1588) by Giovanni Battista Calderari

    Lies Verbaere
    9-19
    • PDF (Italiano)
  • On the cost of Ferdinand I de’ Medici’s wedding spectacles and the limits of «magnificenza»

    Francesca Fantappiè
    21-58
    • PDF (Italiano)
  • The whining demon, or some translation of Giselle in Italy

    Elena Cervellati
    59-68
    • PDF (Italiano)
  • The and the History of puppets by Giuseppe Crimi (1854-1937) Reconsidering the Opera dei pupi in Catania

    Carmelo Crimi
    69-99
    • PDF (Italiano)
  • Pirandello’s “Il Giuoco delle parti” among imaginary and actual plagiarisms (Vosper and Bernstein)

    Elisabetta Gucciardi
    101-116
    • PDF (Italiano)

Performances

  • The play of the child-god Valentina Esposito’s Destinazione non umana. A reading of the drama through the philosophical theories of Heraclitus, Nietzsche, and Schiller

    Gisella Rotiroti
    119-125
    • PDF (Italiano)
  • Three Sisters by Muta Imago, not Chekhov's, yet a very good performance

    Roberto Alonge
    127-134
    • PDF (Italiano)

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  • Italiano
  • English

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Il castello di Elsinore – ISSN 2036-5624

Published by Alma Diamond, Alma Mater Studiorum – Università di Bologna

Owned by Department of the Arts – DAR, Alma Mater Studiorum – Università di Bologna

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