No. 89 (2024)

Issue Cover

Published: 2024-01-01

Dossier

Presentation

Franca Bruera, Leonardo Mancini

9-11
- PDF (Italiano)
A Surrealist Approach? Ravel’s exploitation of risk as illustrated by “Gaspard de la nuit” (1908) and “L’Enfant et les sortilèges” (1925) L’exemple de "Gaspard de la nuit" (1908) et de "L’Enfant et les sortilèges" (1925)

Henri Gonnard

13-22
- PDF (Italiano)
The End of a World in Cocteau's “realist” ballets (1917-1921)

Alessandro Maras

23-37
- PDF (Italiano)
A theatre at risk The jazz-actor Leo de Berardinis, the king of improvisation

Matteo Tamborrino

39-52
- PDF (Italiano)
On trial and error Reflections on risk in the creative process in contemporary dance and circus

Andrea Zardi

53-67
- PDF (Italiano)
Simulacra of “Paesaggi rotti”

Aurora Caporali

69-84
- PDF (Italiano)
Extreme intelligence, origins and solution of risks in audiovisual fiction

Olivier Caïra

85-95
- PDF (Italiano)

Essays

Carmelo Bene, Leo de Berardinis, Perla Peragallo, Mario Ricci: unpublished dialogues with Edoardo Fadini and Giuseppe Bartolucci around a publishing project that was never realised (1968)

Armando Petrini

99-111
- PDF (Italiano)
Ars Una. The teaching of the mimic method after Orazio Costa

Laura Piazza

113-127
- PDF (Italiano)

Performances

Form and transfiguration in “An ordinary day of the dancer Gregorio Samsa” by Barba, Varley and Gleijeses

Leonardo Mancini

131-138
- PDF (Italiano)

Books

L'ultimo libro di Marzia Pieri

Roberto Alonge

141-147
- PDF (Italiano)
A note on Gesamtkunstwerk: the genealogy of an aesthetic concept

Simona Turturro

149-157
- PDF (Italiano)